The Pre-Raphaelite brotherhood

I have been looking at paintings by pre-raphaelite artists. These include artists such as Millais, Burne-Jones and of course Dante Rosetti. They were driven to represent spiritual forms in much the same manner as artists from the Renaissance prior to Raphael, and in the Middle Ages. It was very needed in this time in history, since industrialisation and modernism created a kind of vacuum to artistic expression that was spiritual in subject matter. I love the way their paintings tell a story; and to try to depict celestial beings such as Angels is a noble but at the same time curiously earthly thing to do. I say this because our angels or visions of heaven, no matter how sublime and beautiful are probably to heavens eyes like a child drawing with crayons on a paper napkin. But it’s a joyful thing, and a way that art brings humanity into something bigger than ourselves. It’s also interesting to me how the spiritual realm is so often the subject matter if artists throughout the ages.

The pre-raphaelites, however, perhaps hit on something within our culture at this point in time, maybe as a neo-modernist society (for lack of a better term; I am not sure that our culture can be termed as post modernist anymore, and I have not found a term that fits), we live in somewhat of a cultural desert. Everything is mass produced, and like industrialisation, the demands of productivity are at a premium (collateral from a disposable society). We are in need of the integrity, joy, depth and mystery found in the spiritual, which brings reassurance that not everything is banal and throw-away. That something exists outside of that, beyond clear perception that is more real and meaningful. For me, these pre-raphaelite paintings help me see these things. They touch something deep within my soul, giving almost a feeling of wistful nostalgia.

“…the more materialistic science becomes, the more I shall paint Angels: their wings are my protest in favour of the immortality of the soul” (Edward Burne-Jones)image

Alyssa Kanitsch

As an artist, I am deeply inspired by imagery that explores tangible metaphors. This is perhaps why I am drawn to the world of fairytale, fantasy, dreams and iconic or religious artwork; especially from artists in the early renaissance. In many of my paintings, I try to use images, landscapes and objects to weave together a story or a sense of nostalgia and distant memory. My favourite art medium is acrylics, however, I also love mucking around with mixed media and pastel, and I occasionally work with oils. I have been known to paint furniture, murals and surfboards, mostly because I love to surround myself with the energy of colour.

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