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Unfinished

Today it occurred to me that I have accumulated a backlog of unfinished drawings and paintings. Rather than follow a rabbit trail that spirals into self-sabotage and despondency, I decided to try to see it in positive terms. What if unfinished artwork is not a sign of being distracted or undisciplined but a necessary part of creativity?

I’ll never forget one time when I was renting a studio which, as part of a heritage building in Fremantle, had frequent visitors who came to look at the building as well as the art in the studios there. Taking advantage of the sunny morning,I was working on the front porch when a man and his partner greeted me and asked if they could have a look at what I was painting. I was working on an intuitive, colourful artwork which as far as I was concerned was far from finished. He told me he wanted to buy it “as is”. “Can I just tweak this bit?” I said, motioning toward a part of the canvas that looked halfway between a bizarre-looking bird and a flower. “No, I really want to buy it as is” he replied.

Later as we were talking I found out that his daughter had died tragically in a car crash. My son was also claimed by the roads just two before at the time. We each had this acknowledgement that grieving parents share; an unspoken “you also understand this reality of living through the unthinkable”.  I realised just as his daughter’s life was unfinished, there was a poetic truth and melancholy beauty he could see in an unfinished artwork. Now more than ever, after losing my own precious boy, I am beginning to see that the true meaning of creating is not about product, but communication of ideas, thoughts and messy emotions. It’s about he communion and solidarity we share in being human and a bit broken and unfinished ourselves. 

Art unfinished is raw and candid. It reveals the artists state of mind before it is erased through the fine tuning we do to create an image that is deemed worthy of the external gaze.

I decided to photograph my unfinished pieces, not only to reflect on them but also to validate them as meaningful explorations. They are pockets of inspiration, which is valuable whether bought to fruition or abandoned. They silently protest the mantra of productivity we have in our culture. They remind me that it is the process of creating, not the end result that holds the true magic. The magic of responding to inner prompts and being brave enough to try and sometimes fail. 

 

Alyssa Kanitsch

As an artist, I am deeply inspired by imagery that explores tangible metaphors. This is perhaps why I am drawn to the world of fairytale, fantasy, dreams and iconic or religious artwork; especially from artists in the early renaissance. In many of my paintings, I try to use images, landscapes and objects to weave together a story or a sense of nostalgia and distant memory. My favourite art medium is acrylics, however, I also love mucking around with mixed media and pastel, and I occasionally work with oils. I have been known to paint furniture, murals and surfboards, mostly because I love to surround myself with the energy of colour.

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